Sean and I decided to devote the following weekend, this would be late mid-July, to Operation Warehouse Vacation. Feeling a bit unfocussed, we opted to seek help from the experts and so went online in search of a local travel agent. Over the next few days, we called as many as we could and, in the process, discovered something interesting – travel agents don’t really exist anymore. Due in large part to online booking sites like Expedia and Travelocity (which we always use too), the travel agency industry was swiftly going the way of the mighty dodo. Most agencies that had actually managed to stay in business spent their time working with big corporate clients, not wasting precious resources on little guys like us. The few travel agents who did talk to us tried to sell us pre-packaged vacations that sounded, honestly, lame and cost many, many more yams and goats than we currently possessed. Not to be discouraged, we turned again to the internets.

That’s when we found an immense website written by a guy named Matt Barrett, who, as it turned out, was an American ex-pat and vocal Greekthusiast. His online travel guide covered everything about travelling to Greece and the Greek Islands in exquisite and loving detail and Sean and I devoured every last page.

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Sean and I embarked on a 15 day trip to Greece on September 15, 2006. The trip meant a great deal to both of us and turned out to be spectacular (even with a mishap or two included). I intend to write about each day in travelogue form using random notes I kept (many on napkins), my feeble memory, and our 400+ pictures on our flickr site. With any hope, one person (if I get lucky, 2!) will stumble upon the travelogue and say, “Honey! We should go to Greece! Check this travelogue out. Doesn’t it sound fun?” Thus, random people similarly embark on a wonderful vacation and I bank a shitload of good Karma points. Everyone wins.

But, before I start the travelogue portion, I would like to discuss a few things: 1) the decision-making process involved in choosing our destination, 2) once the destination was chosen, the sometimes frustrating and sometimes wonderful adventures we had booking the trip, and 3) why this trip meant so much to both of us. With any hope, my curious reader and fellow traveler might find nuggets of wisdom and, more importantly, practical aid and advice so that their booking goes more smoothly. So.

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I have thoroughly enjoyed Vladimir Nabokov’s work over the years. Ada, or Ardor is high on my list of all-time favorite novels. This one has been compared to Franz Kafka’s work— another favorite author. This book embodies a vision of a bizarre and irrational world, and it has escaped my attention. I am rectifying the oversight.

I have not written about baseball in a while. And there has been a lot to write about; I suspect many of the topics have already been covered by more insightful authors. Moreover, I doubt that most of my loyal audience is drawn in by my peculiar insight into sport. No, my thoughts comprise an alternate form of gnostic turpitude.

What I wish to present is a stylized conversation about baseball fandom I have been holding with some friends of mine. Two voices, niqui and I, are Chicago White Sox fans. The third, InleRah, is a New York Yankees fan. InleRah is first cousin to Yankees’ phenom, Derek Jeter.

We begin in early August. The White Sox host the Yankees in Chicago. niqui and I attend the game—even having our picture taken by the White Sox marketing machine. It is an exciting game. Scott Podsednik makes the first White Sox out of the game trying to stretch a double into a triple. Joe Crede drives in two runs with a single and a solo homer in the fourth. Paul Konerko ties it up with a leadoff homer in the bottom of the ninth against Mariano Rivera. There are a number of other gaffes, goofs and guffaws, but the Sox manage to find a way to win in the bottom of the eleventh. For a moment it seems a lot like last year. I come home to find a simple message from InleRah waiting for me: Damned Sox!

And that sparks the conversation. The next night it is my turn to mutter about the damned Yankees. InleRah describes that second game: It had us all muttering, believe me. Taking a near perfect game into the seventh with a seven-run lead only to have your closer almost but not quite blow it in the ninth, for a second day in a row. That he even had to be in there is grumbly enough. Sigh. Baseball. It will drive you crazy.

For me discouragement comes in the bases loaded, no outs, heart of the order bottom of the seventh. No runs. Nothing. Not to get any runs out of that situation with the height of the offense at the plate—that is tough. That the loss dropped the White Sox to third in the division felt like salt in fresh wounds.

For completeness I should state that the White Sox go on to win the third game of the series 5-4—helped out by two Yankees errors. Minnesota’s loss to the Blue Jays means that the White Sox were back in front of the Tiger hunt.

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Dan Simmons is a fan of the novella. I am, too. The novella is an intriguing literary form in that it straddles the distance between a short story and a full novel. This tenuous length requires an author to commit to the character depth and detail of a longer form and scrupulously apply an unapologetic editorial edge to the plot. This collection of five novellas includes “Orphans of the Helix”—a novella associated with the Hyperion Cantos—and the rare “Looking for Kelly Dahl.”

Stephen King writes a 1940s-style pulp fiction crime novel. That’s what the book jacket declares, anyway. Reviews are less-favorable and King, himself, opines that readers will either love it or hate it. There will be no middle ground. That sounds like my kind of challenge.

What’s the deal with the trend of naming books? I am talking particularly about appending the subtitle: A Novel. This is often combined with using a single noun for the main title. Here are some examples: Stonehenge: A Novel, Raiders: A Novel, March: A Novel. I do not know anything about these three books. I have not read them. I do not want to say they are good or bad reads. I am simply focused on wondering what sort of purpose the subtitle serves. I already know it is a book. Shape alone is a dead giveaway there. I picked the book up in the fiction section; that tells me the kind of book. What possible purpose does the “a novel” subtitle serve? Now, if the title were Noun: A Kick in the Ass, I could see the need for some extra specification. Does conspicuously subtitling writing as “a novel” make some sort of cultural claim for the novel as a literary form? That is, does this overt subtitle substitute as a more refined expression of an otherwise vulgar boast: Noun: Not Shit?

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I have written about fear before, but it was only in the last week that I discovered this book at my local bookstore. Barry Glassner originally wrote it in 1999. I am curious to see how it stands up to the last seven years in America—seven years in which I often feel bombed not so much by dangers in and of themselves, but the unknown fears of unknowable dangers.

Chuck Klosterman proudly wears the label and stereotype of “Generation X”: disaffected slacker, discontented cultural charlatan. When my fellow Gen-Xer, Johnny Smokes, recommended this book—a survey of popular culture mixed with personal memoirs of the same—I picked it up. It is important to remember that I am talking about a book based on a section of cultural history fiercely reliant on its lack of attention span. I fear even the book’s incongruities may feel somehow appropriate.

Sherman Alexie‘s critically celebrated first collection of short stories vividly weaves memory, fantasy and stark reality to paint a portrait of life in and around the Spokane Indian reservation. Several of the stories have been adapted as the basis of the award-winning motion picture Smoke Signals— a favorite of mine.