My child bride, Whirl, has begun to identify certain quirks of my characters as “windmills.” She compares my behavior to that of an errant knight, de cuyo nombre no quiero acordarme. And I must give her her due. She has a point. I have taken up particular causes—some may say particular frivolous causes—and attempted to advance them to no discernable end or for no obvious reason.
These impossible, foolish tasks prove capable of capturing my attention, raising my ire and consuming precious time and energy: both physical and emotional energy.
It causes me to wonder if other people have windmills and if so what they might look like. The more interesting question may be: why do we build these windmills at all and set them as targets?
Two prominent windmills on my psychological horizon are sport utility vehicles and cellular phones. These objects—these material objects—have the capacity to bring me to a frothy, bilious boil. But when I think on the topic with more circumspection I begin to realize that like most inanimate objects the true objects of my aversion are not these base things, but rather the way they have insidiously inserted themselves into my everyday life. They have done so at a cost.
Upon reading about Tom Robbins’
Leave it to Stephen King to tell a harrowing zombie story and feature the most miserable of contemporary technological devices— the cellular phone— as the apocalyptic catalyst. It’s really all over… isn’t it? This is a triumphant story of horror for a new age.
Sherman Alexie’s second collection of short stories is not a collection of stories about the Indian Condition; it is a collection of stories about Indians— urban and reservation, street fighters and yuppies, husbands and wives.
The first volume in Armistead Maupin’s series of novels centering around the quirky house— and its even quirkier residents— at 28 Barbary Lane. If there were another city where I would like to live, San Francisco would be it.
Dan Simmons’ takes the Internet’s Darwin Awards and combines them with urban legends and a touch of his own skill at storytelling to weave an exciting suspense story filled with dark gallows’ humor.