My child bride, Whirl, has begun to identify certain quirks of my characters as “windmills.” She compares my behavior to that of an errant knight, de cuyo nombre no quiero acordarme. And I must give her her due. She has a point. I have taken up particular causes—some may say particular frivolous causes—and attempted to advance them to no discernable end or for no obvious reason.

These impossible, foolish tasks prove capable of capturing my attention, raising my ire and consuming precious time and energy: both physical and emotional energy.

It causes me to wonder if other people have windmills and if so what they might look like. The more interesting question may be: why do we build these windmills at all and set them as targets?

Two prominent windmills on my psychological horizon are sport utility vehicles and cellular phones. These objects—these material objects—have the capacity to bring me to a frothy, bilious boil. But when I think on the topic with more circumspection I begin to realize that like most inanimate objects the true objects of my aversion are not these base things, but rather the way they have insidiously inserted themselves into my everyday life. They have done so at a cost.

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Upon reading about Tom Robbins’ uncertainty about writing again, I have dutifully returned to his novels after several years absence. This one is described as a fast-paced CIA adventure story with comic overtones. That would be most unfair: Robbins is a gifted wordsmith who defies definition with ferocity and elegance.

Leave it to Stephen King to tell a harrowing zombie story and feature the most miserable of contemporary technological devices— the cellular phone— as the apocalyptic catalyst. It’s really all over… isn’t it? This is a triumphant story of horror for a new age.

I spoke with my friends this week about television. Not the latest plot developments in our favorite shows—although we do quite a bit of that, too. No, this was about the object itself: the television.

I explained that I have an uncle who enjoys restoring old radios and televisions—he particularly enjoys working on the ones that do not have transistors in them, but vacuum tubes. He will pick one up at a garage sale or salvage it from the garbage, and then spend the time to determine the make and model and find the parts necessary to repair it. Sometimes the research-oriented approach is not possible and he must experiment. His rate of success is relatively high. More often than not he can successfully resuscitate these devices. I have seen him collect several copies of the same item, each broken in its own peculiar way, in order to produce one working model.

My father has always had a strong interest in electronics, as well. Another uncle, my father’s other brother, works for IBM. All three of these brothers share a strong curiosity for tinkering. Cars, motorcycles, boats could commonly be found in various states of dismantling and reconstruction around our home growing up. When the three of them are together, the conversation often turns to gadgets and gizmos. This shared interest I do not find particularly curious; my experience has been that brothers often have more common traits and interests than they do differentiating ones. What grabs my interest is the speculation on the possible sources. I believe that I may have the germ of a theory. These three men all share the same father—my grandfather. And while I do not know the source of his fascination with tinkering electronics, I do have some anecdotes that may paint his fascination with some clarity.

I trust my faithful readers will forgive me that cumbersome allusion.

Grandpa grew up on a farm in rural Illinois. He left the farm shortly before he married and worked for forty years as a machinist. He served in the Navy at the end of World War II. He died earlier this year. He was ninety years old. Quiet, considerate, forthright, honest—these are romantic ways to describe him. They are accurate descriptions, true. But there is more to grandpa’s legacy than romanticism—time and sorrow have provided a clear platform where I am able to reflect on what has been lost. And what remains.

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Sherman Alexie’s second collection of short stories is not a collection of stories about the Indian Condition; it is a collection of stories about Indians— urban and reservation, street fighters and yuppies, husbands and wives.

The first volume in Armistead Maupin’s series of novels centering around the quirky house— and its even quirkier residents— at 28 Barbary Lane. If there were another city where I would like to live, San Francisco would be it.

Whirl and I have been going through our belongings—paraphernalia, equipment, gear, goods we have collected. We have lived in our current home for a little over two years now. Before we moved we culled and sorted a slightly different menagerie of items. We separated it into categories: trash, donations, gifts, keepers. The goal was to minimize the amount of stuff we would need to move from one place to the other. And as we had lived in that apartment for almost six years, we had accumulated enough stuff—stuff that we found we weren’t using—that it had completed filled every possible corner of storage space.

Our loft has very little storage space. That is by design. That makes sense to me. The idea of the loft—particularly as Whirl and I envision it—is to present a large open space. The more closets and cabinets you build, the smaller that open space shrinks. As a consequence it becomes important to keep track of your accumulated substance. We develop guidelines for what stays and what goes.

I find fascinating the choices I historically have made on that score. I can alternate at moments between maudlin sentimentalist and draconian protagonist. Clichés: If I have not used this in two years, I will not ever use it again. Protests: But that is my favorite! Negotiations: If I have to get rid of this, you have to get rid of that. Whirl and I both agree that the previously mentioned two-year guideline does not apply to books. Stephen King has defined being rich as, “When you can go out and buy the new hardcover version of a book whenever you want without having to wait for the paperback to come out.” I am not convinced that we are rich by Stephen King’s standards. Nevertheless, it is a noble rubric by which to define wealth.

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Dan Simmons’ takes the Internet’s Darwin Awards and combines them with urban legends and a touch of his own skill at storytelling to weave an exciting suspense story filled with dark gallows’ humor.

“I have just fled my own office in horror at their fucking dimwittedness.”

I do not like Jay Mariotti. I do not like what he writes. I do not like what he says on the radio. I do not like what he says on television. I do not find his arguments compelling. I do not find his style intriguing. I find him tired, weak, and clichéd. I believe that Jay Mariotti wants to attract attention to himself. He wants people to listen to what he has to say. He wants people to read what he has written. He knows that people have done these things when they respond to him. He has found a swift way to accomplish those goals. He says something provocative, critical and negative and waits for the return volleys. Writing for a company that buys ink by the barrel and speaking from behind the one-way broadcast booths of television are radio are low-risk methods to achieve those goals.

I do like Ozzie Guillen. I do not like him simply because he is the manager of my favorite sports team—although that does not hurt his case. I love his candor. I appreciate his instincts with respect to baseball. I believe he does things right and calls things like he sees them. He makes mistakes. He speaks without reflection. These are consequences of his candid, earnest approach.

I believe there is courage in an honest straight-up debate where you present your opponents’ arguments in their strongest possible terms—and then defeat the arguments. I am unsure whether this is the role of sports reporting and sports commentary. I would like to think that it is.

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I grew up in Colorado. For those of you faithful readers who have never been to Colorado, the state is a dramatic melody of regions—taken together they form a symphony of the beauty of the wild. The eastern high plains blend seamlessly into the agricultural grasslands of Kansas and Nebraska. The southern parts of the state are deserts—my childhood home straddled the former Mexican-American border in a semi-arid region in the southeast. We received very little rain and huge amounts of sun. Yet for all of this it is the Rocky Mountains for which the state is most well-known. I grew up in those mountains.

Over the years I climbed hundreds of peaks. I walked into ghost towns and skied rutted, old mining trails. I rafted in Class IV white water—canoed long stretches of calmer rivers. I hiked across treacherous passes and watched the fire of the Milky Way alone on the tranquil shores of alpine tarns. I dug snow caves to weather a weekend in January on the Great Divide. There was not a season of the year that I did not spend overnight above timberline.

Now I live in Chicago—in the very heart of the city, mere blocks from some of the tallest buildings in North America. The contrast is astounding.

So it is with this defiant reverence that I now find myself assisting Whirl with her latest, startling project: the Chicago Peregrine Falcon project.

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