Archives for category: News

I find talk of climate change seemingly everywhere I look. Yesterday more than a 150 of the world’s most popular music acts contributed to the worldwide concert, Live Earth. Twelve locations, seven continents, an audience of two billion. I have a difficult time wrapping my mind around something that large in scale. I wonder if that is not, in fact, part of the point.

Last month, on June 2nd, the Cool Globes project opened on the Chicago lakefront. One hundred and twenty-six five-foot globes have been set up as a public art display throughout Chicago, most of them along the lakefront in front of The Field Museum.

From the organizers:

“CoolGlobes: Hot Ideas for a Cooler Planet,” [is] an innovative project that uses the medium of public art to inspire individuals and organizations to take action against global warming. … [The globes are] displayed along Chicago’s lakefront from The Field Museum north and at Navy Pier. Artists from around the world, including Jim Dine, Yair Engel, Tom Van Sant and Juame Plensa, designed the globes, using a variety of materials to transform their plain white sphere to create awareness and provoke discussion about potential solutions to global warming.

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I am tempted to start this entry with a quote from Agent J from Men In Black II. “Old and busted; new hotness.” I know that phrase fails to capture either the tone or the facts of the latest change in my life. Still, I like the humor in it. It makes me smile. In the simplest terms I have resigned from my position at Midway Games and accepted a new position at the Chicago Tribune.

Those of you who know me may have realized there had been changes in direction for me just based on the recent books I have been reading. I know those hints do little to address the inevitable question as to why I left Midway. I am afraid that is going to remain private. I will not upbraid Midway or the people that worked there with me. This will have to do: the most concise answer is that I was not happy. When I combined that fact with several failed attempts to decrease my dissatisfaction the outlook grew dim. So I left.

I have come to accept my own sentimentality. And I admit that the idea of working for a newspaper is something I have thought about doing for a long time. My very first job was for a newspaper: I was a paper boy for five years. Perhaps I have come full circle. I cannot say in good conscience that I anticipated working in this particular aspect of the newspaper—running the networks that glue it together. Still, I am working for the paper. And that feels good. At the end of the new employee orientation program, they invited us into the front page meeting. Where the editors for the various sections of the paper sat down and went over their various possibilities to run on the front page of the paper.

That experience galvanized me: I had made the right decision. This is a place I could enjoy working. I have only been here a couple days and I am quite optimistic that it will be many more.

Discover is a curious word. I have been fascinated with the word discover for some time. We like to think that it means to learn or invent something spontaneously– as if producing something new out of thin air. We say Galileo discovered the laws of motion. Sir Isaac Newton discovered gravity. Christopher Columbus discovered North America. But the truth is that those things were there all along. The forces of gravity worked upon Achilles, Hector and Agamemnon just as effectively as they do upon you and me, today. These things were not transmogrified at their moments of discovery. They were revealed to be true. The cover of ignorance– of unknowing– had been removed: discovered, uncovered.

Art is different. At the moment art is revealed it is handed over. Art is a sacrificial gift to be coveted, savored, squandered, mocked or copied. And there is nothing the artist can do about that choice once it has been given.

The relationship between artist and audience is a strained one. I believe an artist both loves and hates the audience. The artist requires an audience. Is an unread novel really a novel, regardless of how well-drafted it may be? Is a painting truly art if no one views it? Does an actor really act if the balcony is empty? I do not think so. I concede it may be possible to consider these events artistic absent any witnesses; but they strike me as something closer to lost treasures, valueless until the day they are actually discovered.

Now some artists have had fun with this bit of cosmic irony, postulating a world in which discovery functions much more like true prestidigitation. This brings a whole new meaning to something like the Copernican revolution. I appreciate that. I think it speaks to a motivation for some artists: a desire to change the world through expression.

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What is it that draws me to something for mawkish reasons? Why do I regret actions without rational justification? What is it about something—something simple and concrete—that compels me to attach emotional value to it?

I know I am not alone. I find these experiences permeated throughout almost every aspect of the days between Thanksgiving and New Years Day. By no means are these the only times I come across these sorts of events and feelings. November to December serves as the climactic high point on the calendar. Traditions are born and broken. Or rather—for a pessimist like me, it is the breaking of those familiar traditions that evokes my maudlin, sentimental response.

And yet I wonder if I am a dying breed within my generation. Has Generation X subsumed itself so deeply into the cult of cynicism that we have eliminated any tolerance for sentimentality? We wear a peculiar perfume; the odor pervades us in a cloud of distrust of the integrity and professed motives of others—and even ourselves. We reek. We stink.

Nothing is sacred.

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“The man in black fled across the desert, and the gunslinger followed.”

For Whirl and me it was not the desert across which we fled. We fled across the ocean. For over two weeks we traveled the Cyclades. These strange, magnificent islands have transfixed me. I have wanted to visit them from the time I first learned of them years ago. My first attempt to do so, in the long summer of 1991, aborted in a catastrophe: physically thrown from a train by a conductor, wearing two heavy backpacks, and separated from my girlfriend. She had about thirty drachma to her name—at the time thirty drachma was roughly equivalent to three dollars. I was carrying everything else. All of that is a story for another time. Our triumphant return to Greece includes nothing quite so pernicious.

On this trip we traveled by airplane. We traveled by ferry. We traveled by bus and automobile. One day we did all of these things in the twenty-four hour span of time. Mostly we traveled on foot.

That is a clue.

Whirl has never been off of the North American continent. We have traveled together outside America a couple times. We spent our honeymoon on the Caribbean island of St. Lucia. The idea of traveling abroad is one we have entertained for a long time. That fed into the requirements for this trip. We wanted to go someplace foreign. We wanted explore and experience a new and strange place at a visceral level.

I believe there is a distinction to be made between tourism and traveling. I understand the terms tourism and travel are often used interchangeably. I—admittedly unkindly—use the terms tourism and tourist pejoratively. I use them to convey a sense of a superficiality or shallow interest in the visited cultures and locations. A traveler also passes through a place. He does not become part of it or adopt it as his own. That hurdle cannot be surmounted. Nor should it. What a traveler can do—and what I strive to do when traveling—is to experience and enjoy where I am and who I am with for who they are in themselves. I endeavor to avoid comparisons: Oh we do this so much better back home. I adapt to the customs. I try to wrap my tongue around the language—if only to state “I’m so sorry! I made a horrible mistake!” If you learn nothing else in a foreign language, learn how to say “thank you”. It is a little thing on the surface. If I can learn the intricacies of Internet jargon, memorize the best lines from The French Connection, and remember the batting averages for scores of ballplayers, I can afford to spend the time and energy it takes to learn and remember how to express gratitude in the local manner.

Travel is essentially about sharing. “Take nothing but pictures; leave nothing but footprints.” What is left is a shared moment in time, a very literal fork in the road taken with strangers—who if by the simple existence of that fork are no longer strange. They become friends.

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I grew up in Colorado. For those of you faithful readers who have never been to Colorado, the state is a dramatic melody of regions—taken together they form a symphony of the beauty of the wild. The eastern high plains blend seamlessly into the agricultural grasslands of Kansas and Nebraska. The southern parts of the state are deserts—my childhood home straddled the former Mexican-American border in a semi-arid region in the southeast. We received very little rain and huge amounts of sun. Yet for all of this it is the Rocky Mountains for which the state is most well-known. I grew up in those mountains.

Over the years I climbed hundreds of peaks. I walked into ghost towns and skied rutted, old mining trails. I rafted in Class IV white water—canoed long stretches of calmer rivers. I hiked across treacherous passes and watched the fire of the Milky Way alone on the tranquil shores of alpine tarns. I dug snow caves to weather a weekend in January on the Great Divide. There was not a season of the year that I did not spend overnight above timberline.

Now I live in Chicago—in the very heart of the city, mere blocks from some of the tallest buildings in North America. The contrast is astounding.

So it is with this defiant reverence that I now find myself assisting Whirl with her latest, startling project: the Chicago Peregrine Falcon project.

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I’ve sung the blues,
For every broken-hearted lovesick dream for you.
I’ve paid my dues,
Working hard-sweat, blood and tears for you.

I’m back in England. I left Chicago on Thursday. I was to stay for a week. Plans changed last night. I am staying longer—now nearly two weeks.

Due to a tragic series of delays in Chicago—it would be funny if the results were not so damned annoying—I did not get off the ground until three hours past our scheduled departure time. Consequently, I missed my connecting flight in Brussels to Newcastle. I was rebooked on the next available flight which left Brussels about five hours after I arrived. By the time I got into the Newcastle office, the reason for my leaving Chicago Thursday night was no longer viable. I was too late. The people I scheduled to meet had closed up shop for the weekend; I was shit out of luck. The following four days have been dominated by continued fallout, repercussions and recriminations.

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“Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.”
~ T. S. Eliot, Four Quartets

One year ago I got hurt. One year ago my portion of luck was misplaced. I was struck by a cyclist on my way home. I spent the next nine days in a coma, burr holes drilled into my skull. When I awoke I discovered that I had suffered a serious brain injury. – The term discovery is too gentle a way of describing the experience. Discovery suggests excitement; discovery suggests adventure; discovery suggests invention. Discovery does not suggest trauma.

It was not exciting—nor adventurous, nor inventive. It was Hell. I have written at length about the experience due to my—eerily precognizant—decision to begin keeping this journal. You will find my discussion in the archives. (Unsurprisingly the collection lacks much in the way of organization. I apologize for that.)

To mark this anniversary Whirl and I took a trip with our friends Smokes, Jim, Liz and Dr. Rob to Las Vegas. A year ago I declined an invitation by these same friends to join them on a last-minute plan to go to Vegas. Liz went to run a half-marathon; the others went to cheer her, play some poker and generally have a good time. Whirl was in Washington with her cousin. I decided not to go to Vegas. I decided to stay close to home. Looking back I often wonder what would have happened had I decided to go with them. One half of me—I cannot decide if this is the Optimist or the Pessimist—believes nothing would have happened. I would have escaped. The other half of me believes that being in Las Vegas would have changed nothing. I still would have gotten hurt. I still would have been in a coma. What would have changed is that now I would be 1500 miles away from home in a Nevada hospital.

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In the end of 2005 three announcements were made in Chicago that concerned the closing of three Chicago cultural icons on State Street: Marshall Field’s, Trader Vic’s and the Berghoff. Marshall Field’s ownership has changed twice in the last two years as the department store giant struggled. The killing blow came with the September announcement: once the takeover of the brand is complete in early 2006 the Marshall Field’s name will dropped. The flagship store at 111 North State Street will no longer be Marshall Field’s. It will be Macy’s; it will be New York. Trader Vic’s, the signature Tiki bar and stalwart fixture in the basement of the Palmer House Hotel closed at the end of 2005. We learned of this on December 3rd. On December 29th we learned that the historic Berghoff Restaurant will close at the end of February. A 107-year-old business, the Berghoff was the first Chicago establishment to get a liquor license after Prohibition ended in 1933. It has been at its current location—next door to the original 1898 location—for seventy years.

State and Washington: Marshall Field’s, State and Monroe: Trader Vic’s at the Palmer House, State and Adams: the Berghoff. These three locations are located directly in the heart of downtown Chicago on State Street. During the latter half of the 19th century and through much of the 20th century, State Street was the main thoroughfare in Chicago, particularly for business and shopping. Marshall Field’s State Street business began in 1868. Field suffered the Great Chicago Fire of 1871 and contracted Daniel Burnham to build the replacement stores: eventually arriving at the one there today—twelve stories tall, and consuming an entire block of downtown real estate.

And now it is gone. – In an article on Chicago architecture, Lynn Becker writes: From their inception, department stores were like a museum, a riverfront, a memorial, or a stadiumsomething that defined the unique character of a city. Now they’re just roadkill in Wal-Mart America. But the effect is not limited to just retailers. Defining local culture includes a wide variety of icons: from museums and statesmen, to sports, parades and celebrations, to styles in music, food, drink and pastimes.

My friends have argued that I am being overly sentimental. They remind me that things change. Businesses fold. Buildings are torn down. Fashions go out of style. I understand this. I understand that one of Chicago’s great strengths is its adaptability, its ability to change with—and affect its own changes—throughout time.

What I object to is this: the unnecessary replacement of unique cultural icons with mediocrity and monotony—usually in the name of corporate leverage: greed.

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Merry Christmas!

In a speech in Cape Town, South Africa, Robert Kennedy said, “There is a Chinese curse which says, ‘May he live in interesting times.’ Like it or not, we live in interesting times…” It is a nice saying. I like the saying. I will get to why in a moment. First, I must tell you there is a problem with the saying—other than the saying being a curse, of course. This is the problem. No one uttered it. It escaped Chinese literature without ever being written. The possibility of a pair of feckless translations from Chinese to English and back again does exist. However, I find that an unlikely explanation. Truth has rarely stood in the way of powerful rhetoric.

Still the sentiment has some merit, even if the attribution is misleading. I think most people would like to stand at a place and time in which others take interest: to go to a fabled town, to witness an historic event, to meet someone famous, to accomplish the astounding. The more one does this, the better. To travel an entire lifetime this manner would be the pinnacle. In sum– to always live in interesting times. To think that would also mean forgetting the curse. Curses are selfish. Curses are brutal. Curses are nasty. Curses have a way of settling things. This leaves us with a paradox. Interesting times are simultaneously the best and worst of what life has to offer.

If you have stayed with me this long, I will hazard a guess that you are asking something like this question: That’s great, Bingo, and Merry Christmas to you, too. But what the hell does that have to do with anything? And a second thing, why are you writing me this in a Christmas letter?

I will answer: For Whirl and me, 2005 was interesting times.

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