The conversation begins innocently enough.
I was listening to sports radio the other day—as I do—and they meandered into the topic of misunderstood lyrics. Mick Jagger being the undisputed king of them, of course, brought up the lyric in “Sympathy for the Devil”.
Jagger? Moreso than Michael Stipe?
Jagger. Jagger was mumbling and howling words while Michael Stipe was still sucking his mammy’s titty. The lyrics actually say: “I watched and gleamed while you kings and queens fought for ten decades for the gods they made.” — Anastasia screamed in vain, you know. The whole song is genius, man. Genius! Best. Rock. Song. Evar. And the challenge is thrown down, Come on. Try me. (And don’t give me no Led Zeppelin pansy ass shit either. All that stuff about faeries and flowers in the hair.) I immediately nominate, “Like a Rolling Stone” by Bob Dylan and “London Calling” by The Clash. The answer: Like a Rolling Stone, done by Jimi Hendrix, is a good choice. London Calling too, but neither holds a candle.
And so it goes, suggestion and counter:
“My Generation”, The Who: Serious consideration, but no. “Hey Jude”, The Beatles: Not even the best Beatles song. “I Walk The Line”, Johnny Cash: Doesn’t have the same effect. “Me And Bobby McGee” Janis Joplin: Written by? Kris Kristofferson. Therefore, not rock. Q.E.D.
What makes the Best. Rock. Song. Evar? The question, once broached, demanded an answer. For the next two weeks I asked. I interrogated. I debated. I questioned. I tested. No one was safe. Cab drivers would find themselves musing on the idea as they drove. Before I would help people at work, I would require them to answer this one question. It was the new currency of technical support. I asked everyone I ran across. I took notes on the opinions of my friends and family, associates and enemies. I wrote to people I had not spoken to in months—years in at least one case.
Sometimes my target would nominate a song purely subjectively. I just like it. It rocks! Sometimes they would attempt an explanation, like this brilliant bit of poetry from Eamon:
Man, that’s a toughie. I think I’m going to go with AC/DC’s “For Those About to Rock (We Salute You)”, and here’s why: not only does it rock, but it makes you feel like you rock just for listening to it, and it makes whatever song comes after it rock even harder. Because while the song repeatedly promises that full-on rocking is imminent, in fact it has already begun rocking, thus thoroughly priming your sub-consciousness for continued rock.
I add that the fusillade at the end of the song does not hurt the strength of the nomination by any stretch. Liz went so far as to declare this to be the song she wants played at her funeral and Smokes has gallantly agreed to provide the necessary cannon fire.
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